‘I stand here ironing’

One day, when I was ten, maybe twelve, my older sister suggested she would teach me to iron.

‘I don’t want to learn to iron’, I said. ‘ If I know how to iron I’ll have to do it.’

My sister taught me anyhow, even as I had learned to become a master avoider of most things domestic.

Then for years as an adult, I ironed when my children were young and at school. Every Sunday, listening to my favourite music on the radio or on a CD, I pulled the iron through the pile of school dresses, my husband’s shorts, my own blouses until one day I had had enough.

But not before I enjoyed the image of Tillie Olson who wrote a memorable short story: ‘I stand here ironing, and what you asked me moves tormented back and forth with the iron.’

The story stays with me, the story of a mother overwrought by her child from whom she has become estranged. A mother who wanders back in her thoughts to the time when that daughter was tiny and of how this mother had needed to work and to leave her child in care, and the thoughts of so many mothers of my generation and today who worry that they are  bad mothers.

‘You think because 1am her mother I have a key, or that in some way you could use me as a key?’

Whenever I ironed I could reason to myself I was a good mother. Or good enough.

As if ironing is ever enough. Ironing and housework and getting food onto the table. I have been inadequate in all these dimensions; unlike my older sister who raised her children largely on her own after her husband left her for another woman when her youngest was not yet born and her oldest was a mere twelve or thirteen.

A sorry tale we hear often and my sister has struggled on minimum money with five children to build a world that is rich and filled with people. Her children all grown now and finding their own ways in the world, several with children of their own.

I write the words above and think how clichéd they sound. There is so much more to the stories of my sister and her children as there is so much more to the story of my children and I am restricted here to the safe passages, the generalised passages, the order and neatness  when I would like to write about all the things I cannot say.

My sister and her children, my own children would not want me to write about the things that have happened to them in their lives that have caused each of them in different ways, grief and shame.

For this reason I stick with my own untidy life, or try to do so.  But it is nearly impossible given my life is punctuated with exchanges with all these wonderful people who frequent my life beyond my family as their stories are their stories.

Still I take comfort from Helen Garner’s words in a recent radio interview with Philip Adams when she says:

‘Who owns the stories anyhow? Stories are not just bits of stuff we pick up on the street and can possess.’

Stories float around outside and are there for everyone.

Writers take things from their observations and experience and try to give them meaning to share with others. And the meaning is subjective in so far as it emerges out of the writer’s eye and mind but it is also universal to the degree that others might resonate with it and others who do not resonate might learn something new from someone’s story that they had never  known before.

And on Sunday, I put on my old clothes and repainted the back gate, which my husband had finally hung after some twenty years of the gate’s waiting in the outside garden in readiness. And the special lock he kept to fit to the gate is now finally in place.

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Another of those jobs he never quite got round to doing, though it was there in the back of his mind begging for attention and long missing out until an at home wedding called for action.

And all these pesky little holes in our lives have been patched up until next time.

What’s in a name?

In three weeks time my second daughter will get married and I think of Elizabeth Bennet’s mother’s words in Pride and Prejudice, when her third daughter, Lizzie, gets an offer of marriage from Mr Darcy.

“Three daughters married! Ten thousand a year! Oh, Lord! What will become of me. I shall go distracted.”

I find I am no longer as fussed about the idea of marriage as I once might have been. Still marriage matters.

It matters too that my daughter has elected to keep her name after she marries. I tried that myself for a time, to keep my maiden name. It worked until the babies came along.

I’m glad now to have my husband’s name in so far as it also offers a level of anonymity away from my family of origin. I can write about my childhood without the burden of association to the names of my siblings.

Losing my name I have lost that connection.

Still there are days when I long to go back to my maiden name.

For all its patriarchal overtones, my maiden name is an amalgam of my mother’s and my father’s name after all – my mother’s first name and my father’s second. It is also the name I was born into, the name I held closest to me when as a small child and I played with around with notions of of place and identity.

How I loved as a seven year old to track the essential aspects of where I lived:

Miss Elisabeth Schooneveldt

2 Wentworth Avenue

Canterbury, East 7

Melbourne Victoria Australia

The Pacific Ocean

The world

The universe.

My world was ever expanding like the mirrors on my mother’s dressing room table that folded in on one another and when you tucked yourself in between you could see yourself from behind and from the front, forever diminishing, shot after shot into infinity.

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And somehow my name pinned me to the spot.

And this new name I have now, not so new when I consider I took it on fully when my first daughter was born over thirty four years ago and I have adopted it and recognise it as my name.

But it is not me, nor ever shall be.

I was once in a writing class with the late Doris Leadbetter and when it came time to introduce myself, she stopped at my name and said half jokingly, now Elisabeth Hanscombe, that’s a good name for a novelist.

I took heart from this though no novel of mine has yet transpired nor is likely to. Memoir maybe and essays and book chapters and even short stories but novels, not under that name.

Maybe one day if I ever live long enough to revert to form to go back to being that small girl in the red brick house near the corner of Canterbury Road and Wentworth Avenue I might find myself able to slip more fully into the world of imagination and find the place from which all novels begin.

But for now I have to settle with my own half fictionalised, half factual story, all in the name of my husband’s father and his father’s father before him.

It’s not a bad name though. It’s just not mine.