A tear shaped bauble

My older brother untangles my hair with a comb circa 1962.

And then there was the day my father pulled down the Christmas tree. He was drunk as usual and in a fit of rage had ripped the tree out of its pot and threw it to the ground.

A tear shaped bauble, with its silver sprinkles encased in a gold centre, shattered on the carpet. Three other baubles broke in the fall that day, but it was this tear shaped beauty that mattered most to me.

My parents had brought it with them all the way from Holland. My mother had wrapped it in newspaper and cushioned it in a cardboard box alongside half a dozen other baubles, decorations that went back to the early days of their marriage.

These baubles had lasted at least another twenty years until now. I took care not to let the splinters catch on my skin.

This was the Christmas I remember when I could no longer hold to the idea that Christmas was special.

I suspect it happens for most of us in one way or another. There comes a time when our childhood pleasure at the excitement of events such as Christmas, and it need not be Christmas – it could be a birthday or some other celebration – somehow loses its lustre.

I read about Christopher Hitchen’s death on line yesterday and watched an interview conducted in 2010, some time after his diagnosis with oesophageal cancer.

Hitchen’s hair was wispy thin across an otherwise bald head and his face had the puffy look of too much medication. But his eyes were sharp and his voice focussed. He talked about the fact of his dying and debated the notion of an after life. The notion of uncertainty.

I often rehearse my own death. What will it be like? assuming I get to know before hand that I am dying. Will I be like Christopher Hitchens, thoughtful and resigned, or will I panic?

These days I think more and more about the limitations of time, and the struggle I have to make the most of it. Make the most of it, I tell myself. Do not waste it.

I have this thing about waste at the moment. I cannot bear to waste anything, food, money, opportunities.

The other day I noticed a hat in the spare room, a short rimmed panama hat. The type that was fashionable for men and woman a couple of years ago. One of my daughters had desperately wanted this hat for Christmas and although it was expensive I had conceded in buying it for her, as it was Christmas.

I cringe when I realise I have not seen her wear this hat, not once. This is not to say she has never worn it. She may have worn it at times outside of my viewing, but it could not have been often. A brand new scarcely worn hat that now sits unused in the spare room and I ache all over again.

I hate to become one of those dreadful whingers but in recent weeks I have become just that.

My husband went off to the country this morning to buy the special Christmas hams he so enjoys at this time of year and I urged him not to buy too much. Last year we threw out left over ham because we had ordered too much and could not eat it all before it went off.

Christmas tends to be a time of excess in so many ways and for some reason this year I want to draw a line on the excess.

A cranky old woman, my daughters say, and perhaps they are right. A cranky old woman who suddenly recognises the passage of time, the finite nature of resources and she wants to scream, let’s slow down.

Before the day my father pulled down the Christmas tree I thought of this time as a time of plenty. Every year since I have needed to balance the tension between my desire to celebrate and my need to hold back, to slow down, to resist the consumerist demands and at the same time, to join in the fun.

I am especially glad for my grandchildren, this year. They remind me of how simply delightful it can be to celebrate life, in generosity and good will. But behind the scenes for me there is still the spectre of the smashed and shattered bauble of my experience.

Have you no shame?

Yesterday afternoon one of my daughters dragged inside a potted olive tree from the back yard. We brushed it down to release the spiders and their cobwebs, and then rested the tree on a tray in the living room. This way we can keep watering it during the tree’s enforced imprisonment inside over the next few weeks.

My daughter has since decorated it with a few Christmas baubles, not too many or the tree begins to look ugly, at least in my daughter’s view.

A minimalist olive tree to represent the flavour of Christmas.

Is it a feature of aging that I become more and more jaded each year by the demands of Christmas, the demands to celebrate, the demands to buy, the demands to close up the year with good will, when my emotional bucket is almost full?

I could see the same exhaustion in my mother’s eyes when I was young, whenever Christmas came around, that same sense of ‘how will I ever keep up with the demands?’ And yet my mother relished Christmas more than me, I suspect. She still does.

I must be stressed. The rash has come back, not as vehemently as last time during my holiday in the Grampians in September this year but I can see the raised bumps under the surface of my skin and I am beginning to itch again.

At least this time I have a solution in the form of a quick hit with cortisone and then slowly wean myself off the stuff, but if this rash should come back a third time then I suspect a visit to another doctor might be in order.

The trouble with writing autobiographically, one of the troubles at least, is that it can evoke shame. I start with a thought, but all too soon the inner voices say: Now hold on, wait a bit, what will so and so think about that? How will your daughters read this? And what about those others in your life who might reflect differently on what you write here.

Have you no shame?

I wrote a few words for an online colloquium on psychotherapy recently. ‘I hate to be abandoned,’ the words popped into my head and down onto the page. I qualified them with more thoughtful and erudite comments about the nature of our universal fears of abandonment from infancy onwards and then sent them off.

All night long I cursed myself. I tossed and turned. I could not sleep for shame, for fear that certain of my colleagues, most of whom I do not know and will never know – it’s an international colloquium, rather like the blogosphere but seemingly with more at stake, professional reputations and the like – for fear of what others might think of this clearly dysfunctional human being.

Even as I believe others feel this way too.

Why do you do it? I asked myself and then answered my question. To stir things up. All those stuffy voices spouting theory.

Why can’t we write as human beings? Why can’t we write life as we experience it? Why must we always cover up our insecurities in abstract words that protect us and others from the rawness of it all?

‘You can’t say that,’ someone will say. ‘You can’t write that.’ Recently I read a review in which Andrew Reimer talked about Joan Didion’s book, Blue Nights , a memoir on the death of her daughter.

I’ve yet to read Didion’s book but it’s next on my agenda. I look forward to it, especially after reading her gut wrenching The Year of Magical Thinking.

I want my gut to be wrenched apart by such honest and breathtaking writing, but Reimer reckons that such writing should not happen. He has ethical misgivings. ‘The thought of her buffing and polishing these self-conscious works of literary art for public consumption, for us the readers or perhaps voyeurs, troubles me,’ Reimer writes.

I do not share the man’s reasoning. Why ever not write about our grief?
Or does it make him feel ashamed on Didion’s behalf. The way our children might feel when we embarrass them in public or vice versa, when they embarrass us.

At the same time I suspect the tension inside between the wish to write and the fear that our imagined audience will disapprove might facilitate the writing. It’s rather like the way in which our optimal anxiety before giving a talk enables us to present our talk in a lively and engaging way.

Oh, but it makes me feel sick in my stomach every time I worry about my imagined audience when the fog of shame descends.

All I want to do is to run away and hide, and a Christmas olive tree is too spindly and light of leaves to offer much by way of camouflage.