The gloomy territory of childhood

For all that I disbelieved the power of miracles, my mother’s habit of lighting a candle, and plonking it in front of her statue of the Blessed Virgin charmed me every time I sat an exam in my final school year.

She was thinking about me, or so she said, not so much the Virgin Mary who might offer me help.

I’d lost my faith by then. My mother’s statue all the way from the Netherlands was sculpted in brown stoneware with a shine to the edges of the gown whenever it caught the glint of candlelight. 

Mary’s plaster eyes down cast, her hands in prayer, was an icon of hope in face of everything that assailed my mother in my childhood home of mess and struggle.

I have taken to lighting a candle for my own children when they sit for major exams but add the proviso ‘metaphorically speaking’. I have no Blessed Virgin to whom I might pray, but the spirit of my mother’s wishes trickles down through the decades, a mother’s love for her children and hopes for their future.

What more can you do? But hold out hope for your children and their children in turn. Not the blind delusional hope my mother clung to, one bordering on denial, her belief in miracles resting tenuously there, but a different hope one to facilitate the taking up of courageous responses to the challenges we face. 

It gets harder when children find themselves abused. As Billie Travalini writes: 

For victims of abuse, the past and present bounce off each other like balls bouncing off the wall of a racquetball court: pain is buried and resurfaces, (often at the most awkward times) and being stubborn is a reaction to a society that shames victims and excuses their abusers. This is especially true of incest because talking about something as ugly as a father or mother having sex with their own child is too ugly for most folks to want to hear. 

And so, a collective sigh of frustration hurls through my head when I traipse yet again into the familiar territory of the past and yet here it is again in my dreams.

Last night in a dream, I was waiting in front of my daughter’s house for my husband to drive past and collect me to drive us to another daughter’s house where I planned to look after the children while this daughter had other commitments. 

I saw his car approaching along the street and noticed its fender pushed in. He’d been in an accident, a minor bingle in which he must have driven into the back of another car or pole. In his hands clutching the steering wheel, he held a piece of typed paper which I imagined as details of the crash, which must have only just happened causing the five-minute delay such he was running late. 

In life, my husband is never late. A stickler for time. And as he reached my side, he took off again, not even slowing down as if he had changed his mind. And I realised in a flash it was too much for him to meet me and hear my response to this crash or whatever else was troubling him. 

He drove up the road and turned into a T- section to travel back down behind the house where I stood. Then I saw his car at the end of the street from whence he had come, and he was travelling away from me. 

I had left my bag behind thinking I wouldn’t need it. No phone, just me trying to catch up to the back of his car as he approached the next intersection headed away. By the time I reached the intersection breathless and disbelieving he would do this, he was out of sight.

I returned to my daughter’s house. She had gone by now and her husband was there trying to care for a group of children ranging in ages from ten or to infant. And he had enlisted the help of an older daughter in school uniform. I knelt to speak to my two babies feeling the weight of abandonment and rage towards my husband and I needed to address but feared after I took the telephone my son-in-law proffered and dialled his number my husband might not pick up. 

I woke then fully convinced my dream was a reality and took an age to return to peaceful sleep again. 

‘There’s never a happy ending for someone abused as a child,’ writes Neige Sinno. I’m inclined to agree though I’m not too sure I believe in happy endings. In any case, not for any of us. Our lives all end in one way or another. And much as movies portray death as happening in a heartbeat with family seated around the bed offering promises of eternal life to their dearly departed, the process of dying is not like this. 

It’s slow and gruelling, except in cases of fatal accidents, where it might happen in a flash. I’ve sat at the bedside of two brothers in law as they died. It was not an easy vigil.

Though it was also a situation of great solemnity and honour. Both had been ill for some time with cancer. Both unmarried and childless. Both relying on their siblings to accompany them out of life.

Here I am again in gloomy territory. Childhood abuse and death but this is how it goes for me. When Zadie Smith writes about writing as psychodrama, she’s into it. For her ‘writing exists at the intersection of three precarious elements, language, the world and the self, and the world we imagine, the selves we cling to, and the language we use determines much of what comes from under out fingertips onto the page. In that delightfully precarious way.

Speaking of precarious, the other day caring for my six-year-old grandson along with his younger siblings and a cousin, he decided to build a monstrous tower of cushions. Up and up it went, a higgledy-piggledy construction which held fast for reasons that defy me. But soon before his parents arrived home at the end of day, I called to him that I would dis-assemble Mt Volupius, as he named his creation, to tidy at end of day. 

By then he, his sister and cousin were destroying his bedroom to build their school. Soon after his parents returned, he realised Mr Volupius was gone and was distressed beyond measure, so I tried several times to help reconstruct it. 

‘It’s too precarious,’ I told him each pillow unbalanced against the next.

‘What’s precarious?’ He asked through devastated tears. The disruption of his mountain was more than he could bear, and I was the villain for destroying it.

Life is precarious, eventually with the help of a chair and table we managed to get a construction that held for long enough to help dry his tears. 

If only it were so simple at other times.

The hyperreal and ordinary days

‘No TV people are the scum of the earth.’

A comment made in a series called Trying, where a couple are competing with other parents to adopt a child in Camden London. The other family in this story enjoy a large and beautiful house, with multiple bedrooms and a tree house at back.

But they do not own a television set, a sign of something off, according to those who compete. 

To me there’s nothing off in not owning a TV, though the idea puts me in mind of the many years ago when my youngest daughter, now in her early thirties, was only three. Her eldest sister away in Germany on exchange and her other sisters were addicted to Home and Away.

One evening with dinner on the table when the elder of the two insisted she could not stop watching the movie at that moment because one of the central characters was about to have a baby, something shifted inside me.

Enough was enough.

In a grand gesture, I pulled out the plug and lugged the beast across the back garden and plonked it down on a bench in the workshop where it stayed for the next decade or so.

My children were mortified and distressed. We still talk about it. My third child bemoaned the fact she had nothing to talk to her friends about when they were going on about the latest episode of Home and Away

My eldest daughter imagined on her return from Germany that she’d be able to talk me out of it but to no avail. I was obdurate. Typically, Thoughout our children’s childhoods my husband was the firm disciplinarian, but in this instance I held firm.

My children soon found a solution after they each took possession of a computer and could watch movies on their screens as my husband and I still do.

We still do not possess a television. I see no need.

In retrospect it seems harsh but during the years after I installed the television unplugged in the workshop, my children read more books than they might otherwise. 

Maybe my decision as a twelve-year-old to give up television watching after I decided I could spend my time watching the box or I could begin to apply myself at school paid off.

Till then I loved nothing more than getting home from school to Simba the White Lion, or Robin Hood in his greenwood finest, or Leave it to Beaver.

There was any number of American sitcoms to enjoy even as we tended to stop television watching the moment my father walked through our door.

It’s different these days, it seems with the ever-available presence of the online world. And as Kate Manne writes, ‘We live in a state of hyper-reality that perceives the simulacrum or the copy of the real thing to be more real than reality.’ 

To this end, I can watch endless reams of Kelly Boesch art installations on the screen. The hyperreal people and creatures cavorting the screen in endless impossible ways. They burst into cascades of colour, or overflow with water. The nature scenes of flowers more hyper real than hyperreal. 

I love the effect of watching for those moments as I study the screen, but it has a dissatisfying feel once it ends. I can rarely find a story in any of these pieces, even though often she accompanies her visual portrayals with the lyrics of songs, hers and other peoples’. The songs sometimes hold snippets of story. But I cannot hold onto any of it. just a lingering after taste of pleasure rather like saccharin in your tea, or the artificial taste of low joule soft drinks. 

But then I think of Jeanette Winterson’s advice on one of her Substack’s on writing, ‘Do not confuse product with process.’ These two are not the same and in this world where we have become obsessed with the finished product and urge to produce, we forget the pleasures of the process. 

It’s one of the reasons I write endlessly, not for the product, the finished piece but for the pleasure of the process, of finding ideas words and images rolling from my mind through my fingers and onto the keyboard and thinking.

Like Siri Hustvedt, I can see that memory and imagination are twins. I dig into my memories and before I know it, I’m embellishing the memory with all its holes and gaps in understanding where my imagination leads me. And my imagination also piggy backs on memory. It must be somewhere inside my mind, unconscious and all for it to emerge on the page. 

The dogs are with us this weekend, they too blend with my dreams and imagination. I try to understand their movements, to provide them with predictability and care. And to help them override the impulse to bark whenever someone new enters our house. They are determined to warn people off or in the case of beloved family members they bark out of pleasure at the reunion.

But their barking is so loud it sets your teeth on edge, and it takes time before it subsides, for the rest like now they’re quiet. The small one at my feet trying to slip their body between the folds of blanket I’m using to cover my knees in this cold house. 

The other, a black labradoodle is under their own blanket on the chair behind me. Both quiet for the moment. But there will come a time soon when one or other of the dogs will move closer and address me with wagging tail and insistent snout rubbing into my leg, It’s time now for action. Enough of the indolence. We want you to take us for a walk or at least throw those endless balls in the back garden so we might play fetch. 

What is it with dogs and balls? The game of fetch. Dogs bred or trained from the get-go to undertake their role in life as one of retrieve-that object-and bring it to your owner. The …oodle of labradoodle whose breed for centuries were water dogs trained to fetch from  the water birds felled by their owner’s gun, and the little Jack Rusell terrier cross, bred as a rabbiter or mouser, snout into holes. You see it even now the way she pokes her nose into things.

Beloved dogs who give us such joy, more than the television or the hyperreal online world ever could.